![]() Of all the possible uses of the word "play" Huizinga specifically mentions the equation of play with, on the one hand, "serious strife", and on the other, "erotic applications". We must leave to one side the question whether the disappearance of ludus and ludere is due to phonetic or to semantic causes." "It is remarkable that ludus, as the general term for play, has not only not passed into the Romance languages but has left hardly any traces there, so far as I can see. Perhaps the most extraordinary remark concerns the Latin language. Huizinga has much to say about the words for play in different languages. Word and idea are not born of scientific or logical thinking but of creative language, which means of innumerable languages-for this act of "conception" has taken place over and over again. The play concept as expressed in language ![]() In this way Huizinga suggests the universally understood concept of play is more fitting to both societies to describe this phenomenon. The savage, however, knows nothing of the conceptual distinctions between "being" and "playing" he knows nothing of "identity'\ "image" or "symbol"." "He has taken on the "essence" of the kangaroo, says the savage he is playing the kangaroo, say we. Scholars of religion use western terminology to describe non western concepts. There is a difference in how western thought expresses this concept and how "primitive" religions view this. Huizinga shows that in ritual dances a person 'becomes' a kangaroo.
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